安娜2019

Anna is not quite pedestrian but it never really feels like the work of someone with anything to say or prove. It’s competent and even complacent at times, a million miles from what one would expect from the director of The Fifth Element.

美国人拍CIA赢，苏联人拍KGB赢，法国人拍女人赢。

The film switches timelines every fifteen minutes, jumping between six months before and present day with an absolute disregard for storytelling, and this is merely the most obvious problem, not its worst.