決殺令2012

What Tarantino has is an appreciation for gut-level exploitation film appeal, combined with an artist's desire to transform that gut element with something higher, better, more daring. His films challenge taboos in our society in the most direct possible way, and at the same time add an element of parody or satire.

被解救的姜戈🦁2012，医生死的可惜，姜戈也太开挂了叭，姜戈的三观减分，他老婆的命是命，其他黑人的命就不是命了吗，还阻止医生救被狗咬的黑人，既然能漠视其他人的命，找到他老婆之后这两口子还含情脉脉都被管家看出认识，也太差了叭，姜戈好几次想拔枪的镜头是要害死医生吗，如果不是被看出破绽，医生的计划也不至于失败，and一开始花钱买不就好了么，那么多赏金呢，结果搞得复杂化为一万二丢了命，我一开始把医生当成主演的，没想到挂的这么随意🥭

The film doesn't play it safe, so neither will I. Instead, I'll say that it finds Mr. Tarantino perched improbably but securely on the top of a production that's wildly extravagant, ferociously violent, ludicrously lurid and outrageously entertaining, yet also, remarkably, very much about the pernicious lunacy of racism and, yes, slavery's singular horrors.