Das Boot1981

At once a devastating condemnation of war and an exciting action film...The additional running time only adds to Petersen's masterfully bleak, claustrophobic atmosphere. Das Boot is by no means a pleasant experience, but it's an intelligent and emotionally gripping one that you won't forget. [Director's Cut]

贯彻专业主义的维修段落好看，最后的变调有意思（即便早有预料，回应历史），真正悖逆类型，戏谑而有力的讽刺。整体仍然依靠类型段落的堆砌，每个段落的语气非常直白且衔接生硬（想想“唯美”的海景，想想声音：镜头一切向想要寄信回家的船员时立马出现煽情配乐；船舱里过大的滴答声）。视角仍然显得太开阔，需要更加“限制”，尤其不喜欢从船外呈现潜艇全景的不可能视点，影像组织时对过程工整的复现必定是抽离的（比如舰长喊“上浮”/“下潜”后立马给一个船浮出/沉入海面的全景；比如给一个深水炸弹爆炸的全景立马切向船内开始摇晃），这与室内调度意图达到的沉浸体验式似乎有所矛盾。#德国电影大师展

You emerge from this experience rather like a returning U-boat crewman -- drained, blinking in the light, but oddly triumphant. [Director's cut]