Dracula1931

On the screen it comes out as a sublimated ghost story related with all surface seriousness and above all with a remarkably effective background of creepy atmosphere.

早期几乎都集中在Lugosi一人的演绎魅力上，整体而言两部著名的诺斯费拉图丰富很多。但是自从看过德古拉和弗兰肯斯坦的怪物共演搞笑片（不是）《黑猫》以后，从此只能把伯爵视为欢愉元素了。

As is often the case with pioneers, it is ragged around the edges, but the film's weaknesses are not enough to prevent it from being appreciated. Dracula is not scary; it's a little too campy and hokey to be so (especially by today's standards), but it is nevertheless an effective storytelling vehicle, and there are occasional moments of movie magic.