Exit 82025

Still, the way art director Ryo Sugimoto, set decorator Yutaka Motegi, cinematographer Keisuke Imamura, and others contributing to the design both establish the nightmarish banality of these hallways and then intermittently disrupt it—from modifying signage to altering lighting—makes Exit 8 a thriller in which the space itself is the bad guy.

可是晚高峰累一天了在地铁里哇哇哭就是很烦啊，那个小男孩一直装哑巴也是很烦啊，男主开始一直咳咳咳也是很烦啊……

The endless loop, the anomalies, the reset — all of it connects back to who the man is and what his fundamental flaw as a person is. When the ending hits, it doesn’t explain itself. You just sit there and work backward, and then it clicks.