It may not be “The Bridges of Madison County,” but the latest Kevin Costner romance is nearly as good as they get.
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A movie that barely lives.
It's love with tragic complications, and director Luis Mandoki drags the torture out for two-plus hours.
It's not a great film, but it succeeds in being both tender and cathartic.
The extremes of this production's assets and liabilities are embodied by Caleb Deschanel's cinematography and Gabriel Yared's score: One is as glorious and transcendental as the other is execrably sappy.
On paper, the movie sounds unbearably schlocky, but Costner plays Garret the reluctant backcountry prince as mythic but also foxy and life size.
The climactic events are shameless, contrived, and wildly out of tune with the rest of the story. To saddle Costner, Penn and Newman with such goofy melodrama is like hiring Fred Astaire and strapping a tractor on his back.
The film has its dumb points: too many shots of churning surf and lovers nestled in beach blankets, not to mention the premise that women find incommunicative, hulking shells like Blake the height of irresistibility. But it gets you.
Animated version of the Rogers & Hammerstein musical.
浪漫的部分,欠魅;冲突的部分,偏温;基于以上两点混合的剧情,自然就只能是偏长。即使悲剧,于事无补。
会造船会煎牛排会用打字机写一堆真诚的情话扔到海里四五十岁还和老爸爸住在一起还互相斗嘴的男人多么可爱。要打开一个心中早有一个人的心门那是多么难。哎 我好不喜欢不美好的结局。忽然想到哪看到的那句"人生在于moving on" 说说到轻巧。
这女主的问题在于,她是被男主对前任的痴情而吸引,却又被这感情所怯步。不要本末倒置好吗! 想清楚自己要什么,如果所喜欢的是你无法忍受的,那么早些放手
好吧,开始我以为瓶中信是男主他爹写的。。后来发现女主的boss竟然是海格!“只要你在,我就找得到回家的方向”“你会忘了我的,对吗?”“每一天”对于过去,你怎么过去?深情便是悲剧。
典型的七分片。凯文科斯特纳这个极品骚男,每一部电影都把自己塑造成铁血柔情的硬汉,要不就是大义凛然的万人迷,真TM无趣,好像自己就是全美最性感的男人,殊不知气场完全被戏份不到三分之一的保罗纽曼盖住。
拉近距离的感觉就是小鹿乱撞啊!
家庭回忆
这么简单的故事非要折腾2个多小时才讲完,不是不能抒情,多了就是流水账。突然发现Newman的身高怎么跟女主差不多?
三星半,不死就好了。
亲爱的凯瑟琳不想她的男人去找别人的女人,甚至连那封信她都不想看。
T^T结尾。。。
看不完
"我以为我会一直凭借我们的回忆活下去,直到我遇到了另一个女人,她让我意识到我是多么的苟延残喘.我将不再回忆,明天迎风航行,去把她追寻.如果你能明白,我像爱你那样的爱她,那就为我祈祷吧."
凯文凯文~
很美的音乐和风景,男主角太。。太帅了。。。该死的编剧啊。。。。。这是何苦啊。。。这片子看得我心被撕成两半
爱情电影看多了以后,标准也开始变得苛刻古怪欠宽容了。便有以下提问,在旧逝挚爱与新遇爱侣的抉择标准这个古老命题上,电影到底是偏向于哪一方的呢?不客气地说,用答题者的意外死忘来终结谜团实在温柔又狡黠。瓶中信毕竟是彼时一刻的情感凝固,谁能说日后相处的适应与否呢?好吧,我偏题了,但我想结
印象中,凯文科斯特纳演西部片居多,除此之外,就是那部异常精彩的现代片《刺杀肯尼迪》。他扮演的角色总是那么真正、正义、坚强,这部片子里也不例外。可惜看到最后却是一部悲剧,让人唏嘘不已,可以说,这部电影离爱情经典只差一点点而已,也许缺少的,仅仅是一些大的历史格局和更加煽情的剧情,在细的情感方面,一点不输经典影片。也许它注定是那么含蓄,那么不惹人眼,把它比作经典大片的土壤更合适些。
其实还不错的片子
生活时刻弥漫爱情气息
深情
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