Possessed1931

I adore pre-code sentimentality, the (unintentional) shaking of the picture, how the light is always dim, but the face is lit; the way how candles burns out slowly but kisses won’t, the sound of the gentle falling of glamorous fabrics against the carpet, the glasses clinging…Joan is right. Brown is impressive in film techniques in that era.

克拉伦斯·布朗总是能谱出最美的华章，当克劳馥“浏览”一节节车厢内精致的生活，她的将来被“预订”并依次顺序地回填至她的心灵，一个奇幻和充满诱惑的场景，女主被车厢内的视线凝视并完全“占据”了她。

看过