The flaws don't cripple what is a fiercely funny, exciting and provocative detective story about the crimes of corporate culture — crimes that transcend race and geography.
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The current media discussion over whether or not this is a racist film misses how much this is a classic hard-boiled detective novel, the Japanese functioning as an almost faceless evil.
A thoroughly gratifying prestige thriller, thanks to riveting suspense and two brilliant stars.
I found it pretty entertaining, as well as provocative in some of its comments about contemporary life.
In the final analysis, Rising Sun is yet another book-to-movie conversion that loses something in the translation. Despite the always-welcome presence of Sean Connery, the film fails to satisfy completely. There are a few too many plot holes and logical errors. Rising Sun may be solidly-paced, but not all aspects of the production are as successful.
80年代到90年代中期在荷里活编剧笔下盛行的日本威胁论,时值日企大举进军美国本土所产生的焦虑无时无刻不弥漫在成片氛围中,也同时迷恋着鬼魅的东方神秘面纱,但清醒后还是要不断借康纳利这个兼备东西方的奇异智者形象冲破迷雾、摆正反殖民者的位置。
这个故事好看,但不刺激!
又很可惜看電視
7.0/10 分。不知道为啥这么低分,我个人感觉还是有点意思的。。。
小时候看过的...
老美对正在崛起的日本的担忧
露得真爽 其他很一般了
PS视频放在90年代初当属高科技吧
肖恩·康纳利真是吃饱了撑的,对日本人这么客气干嘛。
露点丰富。菲利普·考夫曼的一般发挥
情节扑朔迷离、环环相扣,包袱一个接着一个抖的非常好。作为悬疑电影,本作在情节上无疑是非常成功的!还有那句经典的“如果你在河边呆的够久,就能看见敌人的尸体漂下来”其实是出自《孙子兵法》,翻译的真是匪夷所思…
无聊。
Philip Kaufman果然不同凡响
肖恩·康奈利主演,原来Star Movies放过,今天总算看的比较完整的了。现在看其实情节都比较好猜,比如日本人Eddie不是凶手,录像带被伪造过,那女的先没死,后来被另外一个人干掉。那个时候日本在美国人眼中是高科技的代名词?编剧是迈克尔·克莱顿,是不是那个写流行小说的?
完全无高潮,梦呓一般的配乐,诡异的节奏,构成了这部超级催眠的电影,每看必睡
可以想象日本当时在美国的影响力
很早前看过的了,感觉还不错,有点关子可以卖,但不太明白最后那凶手到底什么背景!
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搜Philip Kaufman的时候发现我看过这片,印象里只剩下支离破碎的片段,日本人的鼓、祭祀仪式、永远是黑夜和一场我所看过的最撩人的挑逗戏。四五年过去了,故事都忘了,却还记得片子的阴郁诡谲。
2006.8.17
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