Stoker2013
Innocence ends.
Following her father Richard's death in an unexplained road accident, reclusive teenager India Stoker withdraws further into the quiet rural life she shares with her emotionally disturbed mother Evie. But her curiosity is stirred when her mysterious uncle Charlie, who she has never met, suddenly arrives unannounced. Told that the darkly charismatic Charlie will now be staying at the house, India's initial well-founded distrust of her uncle's motivations begins to waver as she finds herself becoming ever more deeply entranced by his sinister charms.
Top-billed cast
20
Media
77
Stoker operates in a perpetual state of dread, a sophisticated Southern gothic that starts out confusing and winds up as a perversely humorous coming-of-age yarn.
【A】10s最佳音效剪辑案例，朴赞郁作品序列内关于「声音」的集大成之作。如何判断好的音效，或者说，如何判断好的「音效剪辑」？在一般的对话戏或场景转换中，声音滞后/先入通常是为了剪切的顺畅。而在《斯托克》中，朴赞郁将此种手法的“视听惯性”给发挥到了极致，而多线蒙太奇段落更是无比华丽，朴赞郁把《老男孩》中混淆时空的影像思路移植到了本片，并完成了高效的形态变体。无数声音跳跃在过去与现在，观感上的混乱与清晰是如此一致，真正由视听引导的叙事，而非台词。朴赞郁的导演思维已入化境，而那些赤裸裸炫技的电影像是为痴迷视听分析的影迷量身定做的盛宴，也只有此种电影技术的呈现才能让人忘却故事。某种程度上，朴赞郁算是希区柯克与帕尔玛的继任者，类型片的狂欢。
The chilling and stylish and aggressively creepy Stoker begins at the end and takes us on a shocking and lurid journey before we land right where we started, now seeing every small detail through a different lens. It's disturbingly good.
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The Return
