Truth be told, Wrong isn’t as funny as "Rubber," which played kamikaze games with horror-movie tropes. The tone here is flatter and more meandering, and more than a few of Dupieux’s digressions feel like dead ends. At the same time, there’s a winning confidence to the filmmaking, which is deceptively stylish.
Wrong never feels dangerous or truly challenging, content generally to amuse rather than amaze.
Wrong is more absurd and more laugh-out-loud silly than “Rubber;” it’s also less focused and more pointless.
Fichtner is always good; just trying to sort out his accent here is kind of fun. Plotnick is the key, however. He plays it straight, even as the world around him grows weirder by the minute. Often he seems confused by the proceedings, which is fitting: Join the club, pal. But we’re having a better time of it than he is.
The film's heady buzz is invigorating, and there are substantial pleasures—and laughs—to be found in all its real-life-just-gone-sour strangeness.
It’s a Dada daydream of a movie, but no one who sits through it can complain that they weren’t warned up front.
As this wry, dry and glittering near-masterpiece proclaims, life is full of wrongness, but also full of mystery and wonder.
The movie is flimsy, glib, and occasionally pretty funny.
If the premise isn't as attention-grabbing as Rubber's was, the execution should help build the filmmaker's following.
古怪和压抑，跟当下情绪糟糕地互文，7:60的闹钟和瓢泼大雨的办公室给情绪带来很严重的窒息感。想到杜皮约在音像店推荐过布努埃尔。温和的结局有稍微让心情起死回生。
80/100 杜皮约企图用错误的表象激发观众对于正确的定义的怀疑，在观众看来男主不应该在被解雇后继续上班，邻居不应该抛下一切在荒漠里疾驰，园丁不应该借他人之名和接线员偷情，上述的都可被简单地归结于错，即不合常理的。但是区别正确错误的定义本身是否是被社会扭曲规训后的产物，我们无法再去接受一些看似诡异实则自洽的事件，从而迷失在对于真实的偏狭感知当中，先认定其不合理再去审视事件本身，可能我们才是真正错误的那个。
“张大师想要见你”，不同的人重复着同样的话语，这种话语叫做意识形态，狗的消失意味着“常态”的退隐，它摧毁了由社区与办公室构成的波普美国下某种心照不宣的扮演，一种机器理性的，深思熟虑的生活放置于微观是多么地荒诞，有如询问披萨店logo的含义。 但《错》真的《全错了》吗？它什么也没有解构，而是极致化了好莱坞的逻辑，昆丁·杜皮约以一种潜在的Nostalgia借用了现代主义影片的蒙太奇，符号隐喻，或布努埃尔的存在主义内核，但是，只要一部影片没能抛弃动机导向的主体，它就不会偏离中心多远，结尾，主人公的狗从公交车上跳下，所有荒诞如同古典好莱坞般“神奇地”闭合了，而不是蔓延到银幕之外；我们当然可以将它看成一部保守的影片，只要观看者像接受哈利波特可以乘坐扫帚飞行一样接受办公室里的降雨。
1.下着雨的办公室；2.不灭火的消防员；3.我一直梦想着在海滩上生孩子；4.开向世界尽头的黄色轿车；5.当你对宠物没有昔日的那么宠爱，就已经构成了虐待；6.快乐容易消逝，成了习惯。
意识流，但是又好像要说世界就是没道理的存在
一些细节没看明白，比如车为什么被人刷成别的颜色，园丁为什么会被警察埋到棺材里，但这并不妨碍许多特别搞笑的段落，尤其是侦探推理出狗被绑架到发怒的那段，陈大师说的关于绑架宠物的目的那段也很值得玩味。PS:阿丽西丝·泽纳在里面好漂亮,扮演侦探的Steve Little有点像《废材舅舅》里的Nick Helm。
看不懂啊...
gosh! what a wrong movie!!! 我聽唔到電子咯 廣東話: 九唔搭八
简直是“以身外身做梦中梦”的代言，极好地诠释了电影作为造梦手段的美妙之处，不论是玩得一手好心灵鸡汤的张大师还是“茫然而深邃”的道夫，都像是摇曳在“人生如梦”这一旷野上的渺小星辰，脆弱天真得一塌糊涂，在错误的飞翔里生出亦错又对的翅膀。
开头挺好的，捅死小婊子那会儿也挺爽的
还真是无厘头啊。音效好棒。
对这种生活不对劲之处的荒诞调侃很带劲，看的时候就知道是@kylegun 会喜欢的类型，打分的时候果然看到他打了五星
totally unpredictable
1星坐等靠谱影评
神片！
无病呻吟
不完全合口味，但是是很有趣的片子
因为电车迟到，本来计划看Lawless过一把暴力血腥瘾，结果到了电影院已经晚点30分，只剩这个片子，看得我想撞豆腐死。20120914ugc confulence
Incroyablement efficace, plastiquement parlant, pour son cadrage poseur bien calibré et sa photographie vintage. Si la vacuité (ou soi disant l’existentialisme) peut se vendre si bien, n’est-ce pas dû à l’étonnante acclimatation outra atlantique de son auteur françai
首映式，导演，制片和园丁都到了现场，总得来说就是一部完全无厘头搞笑电影，导演说，if you don't like this movie, you'll be wrong!
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