Naturally it prepares for its own end like a pro, not with sound and fury but with moments and gestures that recommit to the show’s belief in the dignity and absurdity of life, made all the more poignant by the knowledge that this is the end. The gravity of death and the parade of life combine to give Getting On an uncommon mood.
The first four episodes of this new season are among the series’ best.... Network trauma dramas come and go--and with them a lot of serious doctors and nurses and miserable patients--but rarely do we see a show that understands life in a hospital as well as Getting On did.
In its third and final season, the series is still brilliantly droll, elevating the most mundane moments into something that’s either hilariously awkward or genuinely moving--or, at its best, both.
If the hospital staff is desensitized to basic human dignity, the show makes sure its audience never is. [14/21 Nov 2014, p.100]
The best comedy you're not watching.... Laurie Metcalf ("Roseanne"), Alex Borstein ("Family Guy") and Niecy Nash ("Reno 911") simply kill it as an ensemble, doing justice to the sharp writing of Mark V. Olsen and Will Scheffer.
It's a dark and astonishing gem of a show, with a bravely skillful cast juggling the petty obsessions of the workplace with Much Bigger Issues.
There is a brilliant mix of poignancy and hilarity in Getting On, which is why it all works so well.
Its tender moments register without feeling forced while the comedy comes in the form of a constant IV drip.
One of my favorites. If you view life as a beautiful journey full of wonder and mystery, Getting On is not for you. The doctors and nurses are rarely heroic and the patients are not always likable. There is no mystery in a neglected extended-care unit filled with sick and dying people. But there are moments of hilarious comedy genius balanced with heartwarming moments and a dynamite cast. I found it to be a meticulously crafted satire, much of which can be easily overlooked if you’re not paying attention. Every detail is perfection. Every character is fully formed. Nothing is left unfinished. I can watch it over and over and still fully enjoy it. The original British version is as well crafted and excellent. I highly recommend both.
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