Little Demon (2022)

The potential is there. When it fully grows up, Little Demon will unleash hell.

By the end of the episode, Little Demon has earned the half-sincere, half-ironic ’80s synth-pop needle drop that closes out their adventure. Little Demon has everything it needs to be a winner. It just has to find its own path to joining them all together.

Little Demon makes sure to root most of its humor in character and situation instead of gags. Sure, there are plenty of gags, but we just love the idea of a seemingly relatable story being layered over by ridiculous circumstances.

“Little Demon’s” best moments — the ones that make it stand out in a sea of too much television — are the bits of funny dialogue that would typically be considered throwaway. ... Perhaps the biggest selling point of the series altogether: its potential.

With a strong cast behind it and plenty of time ahead, “Little Demon” could forge an imaginative reputation through the fires of trial and error. But in order to stand out, it needs to get off the highway and carve its own path to hell — leaving good intentions, and conventions, in the dust.

There are times when the visual ingenuity of “Little Demon” carries the show, and that could be enough for some viewers. ... Sadly, the plotting and dialogue never match the visual creativity of “Little Demon.” It often goes for the extreme joke but too rarely finds the funny one, mistaking chaotic for comedic. The voice work is inconsistent.

At least in the early going, this raucous and raunchy affair exhibits a flair for the absurd and profane, even if its boundary-pushing elements get in the way of casting its characters as three-dimensional figures worth rooting for—or caring about—in a serious manner.

With a premise that necessarily involves crazy demonic threats and a body count to match to metaphorize co-parenting a teenage daughter, Little Demon at times struggles to blend its tenor with its comedic ambitions.

From its first bloody explosion, Little Demon has such a gleeful disregard for the bodies being flung around and torn asunder that the moments of occasional earnestness don’t really cohere with the rest of the series. Little Demon is a more effectively provocative show when it’s being truly demonic. ... Still, the hit rate of Little Demon’s jokes is high enough to make each individual episode enjoyable whether they add up to anything greater or not.

实话实说我看得很煎熬，要炫酷没炫酷，要恶俗没恶俗，都是些拾人牙慧的流于表面。 模板化严重，角色个性还是画风我都看不到新意，情节以及推动更是老套又僵硬。 我最喜欢的可能就是那个蛇酒保了，说话声音很好玩

带入女巫的视角，在对女儿面对男权诱惑时的担心和期待她变强大，母亲和女儿自我存在的对峙，和一些非常血腥和有力量的女巫元素中支撑着看完了，但其中非常不适且降维的是，恶魔爹一边象征着广义的父权，是女儿月经初潮后的骚扰和为了逃避父权而创造的伪善人道主义乐园的根源，一边又被塑造成具体的男铺垫浪子回头，让我怀疑创作团队的含男量，一些极度普庸的外型和扁平的男性形象，以及阉男反派的设定看似讽刺，却能在每一集里持续刷存在感，像杀了八百次都不死的现实臭水沟，还隐隐透着想把母女拖下水的暗示。如果恶魔爹和猪男同学早点下线还挺希望有第二季。

噱头占比更大，过了劲就没意思了。 这个片的戏外更有趣，这个片子被欧美基督徒举报下架，后来换了平台重新上架，结果版权到期之后又下架，再也没有正版过。

看不下去，题材是有意思的，设定也是，但是剧情推得太生硬又太俗套了。

妈妈和海妖是幸福的一对🤗

好爱劳拉和海巫婆的cp啊…

E10 hell yeah

第六集狗狗🐕好难过

一下子想学腌黄瓜先生，一下子想学瑞克莫迪，很分裂

抛开血腥的外壳，这个青春家庭成长的内核未免也太老套了吧。特别是人设，非常审美疲劳。

喷血最好了

老娘真的超酷！第八集100分！第九集也！反正越看越喜欢就是了！母女关系真的好痛啊！！！！！

R&M主创新作

完全讲的是青春期亲子关系，发育中的小孩会变成“小恶魔”。感觉妈妈年轻时的故事也会很精彩～妈妈和海妖的CP太绝了！

恶魔需要反基督所以找人类生孩子，女性发现后带着孩子潜逃，结论居然是孩子的问题父母各有一半责任。尤其海报还做成孩子承受着来自父母双方的攻击。同为rm主创作品，这部和solar都是非常明显的厌女，让我觉得rm团队里一定有某个决定性的人物，回避或删改了厌女情节。

喜爱程度介于r&m和solar opposites之间，女性中心+青春话题在我这里很加分，以及爱死混乱邪恶血浆地狱和狗狗天堂了。期待第二季。如果Benny减肥了我应该会失望吧……

青春期+女权+地狱，市场(我)就需要这样的剧！！！我爱死小蛇了

我总是能找到这些怪家伙

用18+的剧情讲一个少女成长的故事。其实还蛮有意思的，动不动就是各种血条内脏乱飞，然后还总能圆回来变成正能量~~~~个人评价：B+

喜欢给我介绍的任何新领域 ！我非常乐于学习！