Lost in Space (2018)

Its casting is more diverse, its women more nuanced. Its Robot is amazing. But the story, which I liked better 10 episodes in than I did at the beginning, takes a long time to get off the launchpad.

It's not without problems, mostly having to do with pacing and length and a certain narrative repetitiousness that creeps in when your story arc lasts 10 hours. But its solutions to building out and modernizing characters who in the original were brightly painted cutouts are generally sound, while some basic alterations to the premise help ensure that the new series is not the cosmic "Gilligan's Island" the '60s series became.

Netflix’s energetic reboot of the cult sci-fi series adheres to the best spirit of creator Irwin Allen’s vision of a family in space fighting for their futures.

Lost in Space didn’t have to be very good at all to improve on either the original or the movie. Still, it’s much better than might have been expected, as is Netflix’s ongoing One Day At a Time reboot. The Robinsons and their antagonists look good to go again.

There’s nothing particularly challenging here narratively, and the series starts on some rocky terrain before it finds its footing, but this is high-caliber escapism, the kind of well-done show that develops a propulsive rhythm as you get to know the Robinson family.

Lost in Space has taken on that baggage and still achieved a credible liftoff and landing to its first season. The question lingers how long these Robinsons will be able to sustain that creative trajectory.

It's an old-fashioned, fast-moving, family-friendly adventure yarn unmuddied by an excess of subtext, political undercurrent or narrative mythologizing. Even feeling overcalculated at every turn, the show is fun, occasionally exciting and ever-so-accessible.

If not as sharply realized and profoundly resonant as the "Battlestar" reboot, this "Lost in Space" is a visual stunner packed with exhilarating action sequences. It's not a great drama, but it is great fun.

First-rate production values, a stellar cast, and a perfect blend of action and character development make Lost in Space a must-watch series.

The cast is solid, the FX are top-shelf and the survival-related drama comes at a steady pace, with some episodes (the pilot included) delivering no less than white-knuckle sequences.

后一半比预想中好看一些，主打家庭概念但还是有点低幼。

贡献了近几年影视作品里最让人仇恨的一个反派，全程都想手撕了她。但蛮喜欢这剧的，据说老版就是家庭剧，想看硬科幻的出门左转看《浩瀚苍穹》多好。新版家长还成吧没什么圣母病，三个孩子聪明勇敢演员也好看，后期有点崩掉但整体都在能接受的范围内，宇航员真的好看。整部剧最大亮点“钢铁巨人”和小男孩的部分与ET是一脉相承的，这种设定百看不厌，非常打动人，外星人造型也不错。这也是仇恨反派的原因，趁早滚滚滚

3.5 有点儿童向 这外星人被大家吐槽身材太好 = =

坏蛋假博士故事线太烦人了，决定弃剧

挺好看的，特效也很下本很有诚意，外星人第一集就出来了，而不是像有的剧搞个外星人若隐若现的总让你看不到真面目，有啥说啥不搞神神鬼鬼的东西，画面清晰明亮，这一点很赞，人物智商都在线，没有发神经的，没有让人脑袋疼的熊孩子，可以说是很有诚意了。

恭喜编剧把美剧中“圣母心泛滥的拖后腿熊孩子”和“爱挑拨离间的轻微精神变态”两种最恶心人角色糅合到同一部儿童科幻剧中！其他强行改编的点包括：花瓶老爸和万能老妈、最终集仍未交代清家庭关系的黑人女儿、拥有星际旅行能力却只有宠物狗级别心智的外星机械文明、点缀剧情没啥存在感的亚洲拉美群众。

这狗血剧情，白瞎了这个故事和特效。

紫色极光，拍掌花开，环境和地球一样，和地球百子一样。一家子遇到碰撞到到新星球，女儿去拿电池冻里，去取镁儿子掉下发现外星人，救了女儿，遇到风暴，发现女反。还有很多飞船，哥斯拉都出来，去取油，只能走一半人，车掉进沼泽里，用氢气脱险，找到燃料，机器人恢复，外星飞船来，后来穿越到外星星球

拖沓，剧情冲突矛盾设置平庸

低龄儿童舞台剧。一集弃。

为了政治正确非得弄个黑人出来，一点都不和谐。

太空科幻说白了还是要砸钱，第一次看到网飞的剧质感这么差。

五星给will和robot，以及两姐妹。但是，不推荐观看。里面的一个坏女人毁了整部剧，严重影响观感。（看到就想跳过的那种

给孩子们看的 成人单看会觉得无聊 前9集基本上就是一个女人和小孩在抢一个玩具 小孩看可能会觉得很酷也很有家庭教育意义 本质就是披着科幻外衣的儿童剧 成人打一星 小孩打五星

美术过得去，其他太烂

Tv-pg级别，你当tv-ma来看吗？本来就是家庭剧好么。从演员到特效，甚至剧情，已经拍的很不错了。

看到评论里一大堆说剧情幼稚的，搞亲子活动什么的，我就说你们看剧之前一点背景都不用了解吗？老版太空迷航本来就是太空家庭剧，网飞不过是沿用了这个设定，别一看到不是自己想看的，就给低分，那才是幼稚

都已经2046了……星际旅行都成亲子活动了……然后你告诉我去冰操作还是在用凿子慢慢凿？！

这剧有点迷，特效可以

剧情引人入胜，特效堪比大片。netflix搞电视剧果然比搞电影靠谱。