Daniels and his writers room had a lot of primary characters already to play off of and offer fitting farewells, and while one or two could've used a little more time spent, this is still going down as one of the better TV endings of all-time.
It’s a genuine joy to watch—so much so that you almost forget the unrelenting cruelty (and distressingly familiar) strain of immiseration capitalism that makes up the show's beating heart.
Upload Season 3 continues to prove that this series is more than just an R-rated version of The Good Place. It doubles down on its satire while also being unafraid to throw a curveball at its audience. Daniels and his team take some massive swings and, once again, they're able to pull it off and exceed your expectations, wherever they might be.
The seven-episode second season retains the first's ability to simultaneously present a cynical outlook on the future and also argue that love can conquer (almost) all. It's a tricky tone to perfect, but the sharp acting and sharper scripts help immensely. "Upload" has also developed a distinctive visual language.
Amell settles into Nathan with more self-awareness, but it’s Allo, Johnson, and Edwards who come out swinging. The solid performances, and Upload’s timely arrival—when is scrutinizing affluent conglomerates and the impact of social media not relevant?—really transform the show in its second outing.
At first it seems like Daniels is going to mainly satirize our modern world, which the show does reliably and deliciously. But as “Upload” progresses a conspiracy theory pushes forward and the underlying theme of income inequality becomes clear. Still, “Upload” never forgets to be funny.
Smart, often hilarious series. ... Nathan and Nora's relationship is essential to the series, and Amell and Allo have electric chemistry.
There’s a lot of heavy stuff at play here, but it’s all handled with a deft touch. Even when “Upload” gets serious, it’s never more than a scene away from being funny as hell.
“Upload” is more amusing than it is laugh-out-loud funny. But it’s quick-witted, clever (an Arnold Palmer bot appears on a VR golf course in episode four) and twisty with a thread of mystery.
我特别不喜欢在精彩有趣的背景设定下谈纠结的爱情这种设定，即使说虚拟爱情确实值得探讨，我还是更想看到更多科幻和悬疑的部分，况且女朋友是真爱他啊，感动我了，心疼。
这个年代，大胸细腰翘臀长腿的金发妹人设已经再也不可能成为女一号了：）
控制无人驾驶汽车杀人，然后伪造成事故，这剧情绝对会变成现实。
给你花钱的才叫真爱，不充值的都叫白嫖。
黑镜+赛博朋克+虚拟爱情甜蜜cp+资本控诉，慢节奏更轻松，矛盾铺垫不会那么强烈震撼但更舒适更细水长流。除了尺度有点小想不出什么缺点了。非常喜欢这个口味。
亚马逊出手不凡。好久没看过这么有新意的科幻剧了。世界观搭建得非常扎实，科幻感和未来感兼备，“技术性长身不老”的概念贯彻得也很棒。黑色幽默、悬疑、阴谋、讽刺、爱情、阶层壁垒，各种元素一应俱全。
低配版汤姆克鲁斯与云端养老院的故事
《黑镜》某集的加长版
圣朱尼佩洛即视感，男主好几次让我联想到布拉德皮特。虽然英格丽她矫情做作，控制欲极强，但她还是害怕孤独害怕失去，最后为了男主上传了自己，也算是爱的深沉了。
wow 一天看完 不能更期待 是很黑的喜剧 喜欢。ingrid这样的女朋友真的是太悲剧了 。不被喜欢 付出一切 注定悲剧。男主角小狼狗一样的绿眼睛能杀人
女二才是真爱啊
心疼白富美。
ingrid is the only reason i give five stars. she live hard and love hard.
还挺好看的，有些搞笑，轻松，又让人反省。
refreshing! 总算有个让我眼前一亮的剧了，四星。选曲加一星。
黑镜概念大合集，比副本好看！而且概念到最后一集也没有垮掉，抛出了新悬念。
一个坑挖得太深，用了十集的时间还没看到端倪…人物脸谱化严重，女二简直就是个white trash，女一一副苦大仇深样，越看越烦（一个网络客服不好好工作整体给公司搞破坏）。整部剧唯一三观正一点的就是女主父亲，人死了就该入土为安，变成AI被豢养在虚拟世界有啥意义？
(男主狗狗眼和微笑简直把我心都暖化了…) 现实与虚拟的爱情邂逅 无法见面的遗憾，生死相隔才让凄美的故事更打动人心… 数字永生拥有了所有的物质享受 与现实朋友亲友关系的人际疏远 却难以填补内心永远的孤独… PS：白富美妹子真是真爱……给钱还把自己命搭进去了…
虽说我不太能赞同这个设定，创意也不算多新锐，但是组织起这个创意的各种点子和细节真的是有趣。如果角色更有趣一点就好了，太普通了……当然细节有趣也很厉害了。
拍得很有新意啊，不错不错，第一集女朋友在车里和男主怎么动就是不露点，很有黄牌大贱谍的feel😂😂😂
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